Back with a big one.

I was prodded back into action by the massive guilt trip my mate Carbie accidentally laid on me last week. You don't really need to know the details- suffice to say that when someone who had recently read the whole of Last Tram in a single sitting asked me why it's not up to date, I blushed. Yes, blushed. Anyway...there's a massive weekend on offer, if you want it.

The Applecore festival, back in February, was great. Now comes the follow up- a live CD featuring all the bands who played is being launched over two nights at the Old Bar. That handbill is a bit out of date. In particular, Brisbane's amazing Do The Robot have been added to the line up, which now looks like this:

Friday, June 26
8.00 - 8.40 - Teeth & Tongue 9.00 - 9.40 - New Estate 10.00 - 10.40 - Thought Creature 11.00 - 11.40 - Actor SlashModel 12.00 - 12.40 - Deloris

Saturday, June 27
12.20 - 1.00 - Graveyard Train 11.20 - 12.00 - Super Wild Horses 10.30 - 11.00 - Rational Accademy 9.30 - 10.10 - Deadbeat Club 8.40 - 9.10 - Elizabeth Pistol Club 7.50 - 8.20 - Dead Forest Index 7.00 - 7.30 - Kid Sam 6.00 - 6.40 - Grand Salvo 5.10 - 5.40 - Milk Teddy
4.10 - 4.50 - Brother Man Dude Show 3.20 - 3.50 - Geoff O'Conner 2.30 - 3.00 - Do The Robot

Friday night is $10 and Saturday is $15. 100 CDs will be available each day/night for $2.

Sadly, Saturday clashes with the latest Mistletone Records extravagnaza- Castle Tones, which is on all over the Edinburgh Castle in Sydney Rd. Moreland:



Hmm, that's a bit pastel. But you get the idea.

If you have the energy on Sunday, there's a bit of a houseparty going on in the afternoon:


The Straight Arrows and Dead Farmers are pretty much guaranteed to make you late for work on Monday, or the very least ensure you show up with your ears ringing.

Flip Out

Now, ordinarily, this show, at the Espy on Friday night, would be head and shoulders above the rest:

The Visitors were one of a clutch of bands (see also- the Hitmen, the Other Side, Comrades of War, New Christs and New Race) formed from the debris of Radio Birdman on their return from Europe in 1978. They played a dozen or so shows, recorded an album, released an EP's worth of it, and then disbanded. The album eventually emerged years later, and is now being reissued, on Citadel Records, to mark their reunion. I never saw them, and am really looking forward to this. I mean, it's not often you get to see legends play. Vocalist Mark Sisto's role as Birdman's "Minister for Defence" led to me being christened "Minister for Offence" during my time roadieing for GOD. And, it's free, yet. Make the most of it.

But even that looks like being relegated to warm up status, because on Saturday the first (of many, hopefully) Flip Out Festival hits the Corner Hotel.

A solid attempt to get a decent festival going in Melbourne, without the big bucks and sponsorship. There is so much going on here, in addition to the music. The first 200 people through the door will receive a free 18 track Aarght Records/Stained Circles sampler. There's a record fair 2 – 6pm, a rooftop BBQ will run from 5 – 8pm, and the Gimme Shelter and Primitive DJ’s will be playing tunes in the front bar.

PERFORMANCE TIMES - OVER 2 STAGES:
3.00 SUPER WILD HORSES
3.45 THE UV RACE
4.30 THE STRAIGHT ARROWS (SYD)
5.15 THE FROWNING CLOUDS
6.00 THE PINK FITS (SYD)
6.45 DEAD FARMERS (SYD)
7.30 KNIFE FIGHT (NZ)
8.15 THE STABS
9.00 KING AUTOMATIC (FRANCE)
9.45 DEAF WISH
10.30 M.O.T.O (USA)
11.15 BEACHES
12.00 EDDY CURRENT SUPPRESSION RING

And if that isn't enough for you, the Straight Arrows are using Flip Out to kick off a tour to launch their new single, and you can go and see them again on Sunday at Bar Open in Fitzroy.

That starts around 8.00pm, with the Arrows on at 11-ish.

Monday morning is far away as I write this, but I suspect it won't be a pleasant awakening.

Constructing Fear and other entertainment

Aah, things are slowly getting back on an even keel round these parts.

On Friday afternoon I stopped by Missing Link Records to catch short in-store sets by the Stabs and the Straight Arrows. The Stabs played a good half hour or so of excellent all new material- they are heading out on tour soon, too. The Straight Arrows were running late, or had technical problems, or something, but managed a slamming twenty minutes of shit-hot garage punk.

On Saturday we got political. Well, a bit political anyway- Melbourne film maker Joe Loh has made a documentary about the recent changes to the law that oversee unions on building sites. Or, as the film's official site puts it: A documentary exposing the activity of an industrial inquisition targeting building workers across Australia. “Constructing Fear” shows how these workers are the front line in an attack on civil liberties that has implications for every Australian.
It was showing at ACMI, for only $10.00, and the ticket also got you into Cherry Bar later in the evening, for a show featuring Dynamo and Eddy Current Suppression Ring, who both contributed music to the soundtrack. The place was packed of course, with an odd mix of old school union types and the young ubercool. Both bands were fantastic. The song ECSR recorded for the documentary, "Devil's Demands", is available for free download from the site above, by the way, as is the film itself.

Anyway, I've got to get back to work on that Lethal Weapons feature mentioned below. Here's a bit of a taster- an eyewitness account by someone who was there at the time, and is still active in music today:

In the end it was a storm in a teacup. Suicide quickly dissolved, Mushroom retaining only the Teenage Radio Stars (who would later morph into The Models) and The Boys Next Door, who finished one album in which Mushroom were totally disinterested and were let loose to develop into The Birthday Party. All the bands moved on to the next stage of development and the scene flourished, particularly in Melbourne where it reached a kind of artistic peak from 1979 through to 1983.
Ironically the experience firmed our resolve about such issues and we proceeded to be staunchly independent for over 20 years, never again working with the Australian Music Industry.

You'll just have to wait to find out who that's from.