Showing posts with label Clare Moore. Show all posts
Showing posts with label Clare Moore. Show all posts

25 March 2010

All hail.

Crazy times in the daytime right now. I'm just glad that today's earthquake didn't turn out to be much.
Anyway, I'll be looking for some downtime this weekend. Like this:

Howard was a founding member of Crime & The City Solution, These Immortal Souls and Pink Stainless Tail, as well as stepping in on occasional Birthday Party guitar duty. True to his pedigree, he will be backed by Dave Graney and Clare Moore who are “back in post-punk mode”. Supports by Stu Thomas (The Surrealists) and Bad Orchestra. Cost: $7 on the door.

Although, despite some questionable aims, as a stand-alone show, this has it's charms, too:

Mainly because I plan to throw Tim Rogers in the lion cage while the lights are out. Naah, just kiddin'.

14 May 2009

Whoops.

Sorry, I musta been asleep. Busy. Drunk. Whatever.
Let's get this thing up to date with details of an event that's on this very night:

In advance of the May 30th release of his new album, "Knock Yourself Out", Dave Graney is giving a talk on the art of songwriting at the Ian Potter Gallery in Federation Square. That's at 6.00pm tonight, 14th May, and will be followed by a show by the Lurid Yellow Mist. It's part of their "Late Night Thursdays" series- details here.

29 June 2007

Hmm, a wet weekend looms

Well, there's a wet weekend on the horizon, which will probably see me staying at home.
I have a stack of 11 new CDs to get through, including the Killer Birds ep and new albums from the Kamikaze Trio and The Super Insurgent Group of Intemperance Talent, with a few more on the way from Rich at Dropkick Records as well.
There are a some things that might tempt me out, though. Tijuana Souvenirs for free at the Pint on Punt tonight is an option, or maybe the Apartments with Dave Graney & Clare Moore's Lurid Yellow Mist at the Northcote Social Club





Saturday there are a few things happening- not least of which are the almighty Dynamo at the Greyhound, maybe, or Nation Blue and others over at the Arthouse. Or try getting drunk and taking a ride in that big Ferris Wheel in Birrarung Marr, in the rain. In the dark. And the howling wind.

And I have long, slow, cold-brewed high hopped batch of beer to bottle...

Looks like this will have to wait until next week, then:

27 February 2007

Sir David & Lady Clare Keep It Unreal


Time for a break for all things Stooges and Dolls. The Barmaid and I caught Dave Graney and Clare Moore last Friday-week, at the Spanish Club in Sydney. The occasion was the local launch of their fine album, "Keepin' It Unreal" (on Reverberation).

I lost touch with Sir David's output in the late-ish '90s - his breakthrough album "Night of the Wolverine" and the follow-up, "You Wanna Be There But You Don't Wanna Travel" (the Big Rock Production Album) were played to death in these parts - but I've since caught up. "The Soft and Sexy Sound" always had some of the most biting songs Dave's written. "The Devil Drives" deserved more attention than I gave it and even the re-configured band of "Kiss Tomorrow Goodbye" works a treat, in retrospect.

Dave's songwriting is every bit as good as it was when he was in the thrall of a major label, but he's framing it in all sorts of ways other than your stock-standard, rock band guitar-and-keys. The latest configuration is Dave on acoustic guitar, Stu Thomas on big, thick bass and Clare on vibraphones and harmonies. It's languid, sometimes laid-back and pretty fetching when the trio re-interprets the expansive Graney back catalogue. Is it rock and roll? I'm not sure what the fuck is, but I do know that Dave's unique phrasing and always intriguing lyrics inevitably makes it a weird and wonderful ride, no matter what musical kaliedoscope it's being channelled through.

There were some rock and roll moments when the gig was shifted from the band room (which apparently had an issue with its entertainment license) and the Spanish guitar player of 11 years residency was displaced - only to be called back to fill in when Stu Thomas' flight from Melbourne was delayed. He got there in the end. The band lost its door deal - it's a bit hard to charge diners in a restaurant - so bemused tourists and punters there for the show got more than tapas and sangria for the price of their meal. It was all good.